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the stockbroker Romano, Giancarlo Rossi

stockbroker by profession, Giancarlo Rossi is deeply rooted in Italian art scene. In 2006, the Minister of Heritage and Culture has appointed Giancarlo Rossi member of the National Committee for the celebrations of the bicentenary of the birth of Giacinto Gigante. Already involved in the commemorations of the giant painting, Giancarlo Rossi collaborated with the author and publisher Frank Mauro Sergio Ortolani to promote the republication of the book "Giacinto Gigante and landscape painting in Naples and in Italy from 600 800. Giancarlo Rossi has also played an active role in Arsenal Civitavecchia Gianlorenzo Bernini. Having helped with the original letters signed by Busiri Andrea Vici, Giancarlo Rossi has provided David Ryley Marshall the key to identifying a painting of Codazzi present in the Arsenale. Thanks to the letters of Giancarlo Rossi fact, Marshall was able to locate the painting of the Codazzi antiques market in Paris, and to date it between the collection of "Roman inspiration" of the seventeenth century of Codazzi. And collaborating with Giuliano Briganti for his publication "Bamboccianti" Giancarlo Rossi has been instrumental in the identification of another painting of the seventeenth century, thanks to documents in his possession containing references to the painters Michael Sweerts and Pieter Van Laer . Giancarlo Rossi is also involved in art at an international level. With its donation of funds to the Chinese Museum of Pekin, Giancarlo Rossi has contributed to the restoration of four terracotta soldiers, who have completed the collection of guards in battle formation of the Emperor Qin Shi Huang, arranged to protect the tomb of the Emperor. Giancarlo Rossi has also financed an exhibition at London University SOAS, which is the interactive installation of Isabella Tirelli "Sensitive Painting, IVO Dart", a work that has been a great success. In 2002 Giancarlo Rossi has played a role in the London conference "Art and Finance", sponsored by Lehman Brothers. By relating the different tax benefits in Italy and the United Kingdom, Giancarlo Rossi focused on assured returns from investments in art.